Lousy photo but I don’t have a good setup. In most cases, to highlight texture, I dropped wet paint on the texture once set, let it dry, then rubbed off the high points or painted them. With the exception of the middle right, the technique was to put a blob of paint down, then work it with a small clay sculpting tool until it began to set up.
The top row is mixes with Cuni medium and oil mediums, left to right: Williamsburg impasto medium, Natural Pigments impasto medium, Natural pigments Velasquez medium. I would give the edge to the two NP mediums, but they dry much more slowly, the Velasquez very slowly, that is not dry yet in 3 weeks. Probably not worth it when similar textures can be achieved other ways.
Two water soluble encaustics. Still working on the one on the left. More unified than previously, I hope, but I may have lost some of that interesting translucent quality. It is on watercolor board gessoed with encaustic gesso. I am having a lot more lifting problems on this one, so I’m not sold on the gesso so far. The right one is from a modeling session with Edin.
I am seeing some info about Ceracolors on the Natural Pigments site. This will be the second water-soluble encaustic paint available, the first being Cuni water-soluble encaustics, which I have been using. Ceracolors are described as a blend of waxes microemulsified in water, while Cuni is a mixture of beeswax and potassium soap. Other wording in the description of Ceracolors is almost identical to Cuni’s. There are specialized wax products for the cosmetic industry called emulsifying waxes, and hydrophilic waxes like cera bellina. Is this something like those?
It’s not available until June. Update: I contacted Natural Pigments. George Hanlon says it does not include potassium soap, just waxes, and will have somewhat different handling from Cuni. It can be mixed with other water media, but they don’t recommend mixing with oils.